a mixed tape for you :)

Remember the mixed tapes of the 70’s and 80’s?  We’d put together an eclectic collection of music, sending our crush a message of undying love with the crazy and mix-matched sounds of  our teen-aged angst? I guess the iPod and iTunes revolutionized that idea, but for me those old cassettes are a symbol of a commitment to expression that is unrivaled by today’s technology.

All we have to do today is drag a song from one list to another. Voila: done. If you want, you can even re-arrange the order or set it on shuffle and get a random order. It even lets you select the songs individually and oh my goodness! set it on repeat.

Not the mixed tape.

The mixed tape required a level of preparation and planning that was a real investment in blood, sweat, and tears (the metaphor for sacrifice, not the musical group). First, we had to decide what songs we wanted, analyze the subtle (or not so subtle) message, and then put them in order so that it accomplished two very important things:

First, it had to be an unmistakeable declaration of undying love.

Second, it had to have an out, in the last or penultimate song, so that we could save face in case our crush of the moment thought we were creepy. This last one was difficult because if placed incorrectly in the order, the whole communication would fail and we would be in worse shape than before.

Then, the real work would begin. The lucky ones, like me, had a combination record player/tape deck  stereo so we could record songs off albums or the radio.  In those days, a 45 cost $0.97, not bad when compared to today’s $0.99? Wrong, remember a buck was worth a lot more 35 years ago. (oh my, did I just write that number?)

Instead of buying the records, we’d record them off the radio. That took incredible skill and patience because you know those deejees spoke right through the first few measures of a song, probably to foil all the recording that was going on. It took real work to get those puppies finished. Hours of work, to be honest. So to give the gift of a mixed tape was something meaningful.  Something profound.  A permanent testament to an undying love [until you ran out of cassettes and recorded over someone else’s gift to you].

So, without further ado, here is a mixed tape, 21st century-style,  for you. 🙂

[see if you get Rick-rolled somewhere in there]

Dr. Seuss (rhymes with toys, not juice!)

Jonathan as the Cat in Seussical (2006)

Today is Dr. Seuss’ birthday, or well, Theodor Dreisel’s anyway. People all over the place are probably dining on green eggs and ham, which I ate, appropriately, when my kids were small. Having sacrificed myself for their little sakes, I have no intention of ever repeating that dining experience, but I’m game if anyone wants to join me. You only live once, and I wouldn’t want anybody named Sam following me around all day with the same pestering question.

Like most kids who grew up in the 60’s and early 70’s, watching the Dr. Seuss specials, when those magical Special Presentation promos popped up on NBC or whatever, were cause for celebration. My all time favorite Christmas special remains How the Grinch Stole Christmas even though I have never, ever, read the book. Let’s just say that no one narrates better than Boris Karloff. Ever. Jim Carey is an imposter.

The theme of the Grinch still serves us well today, and another one of his stories, Horton Hears a Who has a magnificent tag line : A person’s a person, no matter how small. There is talk, even controversy (mostly led by his widow) that the Pro-Life movement has latched onto that as a battle cry.

Whatever. Geisel claimed that direct moralizing in his stories would ruin them because it becomes obvious and manufactured. I agree. To look at that line in isolation is to discredit the whole story, except that, wait a minute, that line encapsulates the whole story. His widow can get over herself. Quick.

I love Horton Hears a Who precisely because of its subtle, but so profound theme of respect for life. Here’s a little venture into that great big vault of old blog posts, this one resurrected from the files of Rosary Army when I was writing a weekly Monday Musings. It’s brief, but captures something about the joy of that story.

from March 27, 2006

This weekend my son finished a run as the Cat in the Hat in his middle school production, Seussical. It was elaborate and required a great deal of hard work on the part of the cast, crew, and adults who supported it at all levels. I’m proud of him and his classmates who managed to pull off such a huge endeavor.

Were there mistakes? Sure. Was anything so disastrous that the show fell apart? Nope. In the end everyone worked together to fulfill their roles, whether large like the Cat or Horton, or small like JoJo or a propman. They lived the theme of the play, loosely based on Dr. Seuss’ Horton Hears a Who, that “a person’s a person, no matter how small.”

That message, as a Catholic theme, was not lost on me. Today’s society puts to the test the Church’s teachings on social justice. Like the Who’s in Whoville, too tiny to be heard, the Church identifies “the least of our brothers” to be heard above the din of our noisy distractions.

The Church, in her wisdom, calls us to be like Horton. Do we hear the voices of the unborn? Do we hear the voices of immigrants? Do we hear the voices of the homeless, or poor, or ill?

Christ calls each of us, personally, to hear those voices. Like the fictional Horton, can we hear — and more importantly — act?

I have a soft spot for Dr. Seuss. He did much for literacy, and much more for instilling and supporting a value system in his readers. I discovered, as an adult, that he wrote one final book that was published posthumously, My Many Colored Days,  and illustrated by some contemporary artists. I used it for many years when I taught high school, and it remains my favorite Seuss book. It’s listed as a children’s book, but with a talent like Gesel’s, you know it’s just as much for adults.

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